Keep on keeping on

Well producing work has taken off. I have had a very productive few weeks. I have been looking at the properties of paint and its relationship to sculptural presentation. Where is that line between 2D and 3D? How does paint react to a 3D surface? How can I record the movement of paint?

I created several pours, two on canvas, one on cake shape, two on 'rocks', a chrysalis, a painting without a base and a large (190cm x 60cm) pain tablet.